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magiawitch:

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@/kojikei_dp

    • #good post yves
  • 3 hours ago > magiawitch
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andjoshiforall:

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🖤🤍🧡🖤

  • 3 hours ago > andjoshiforall
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I was watching a video about abandoned malls in usamerica and that shit really blows my mind. you’re the country of consumerism how the fuck do you not have it in you to keep that shit open?

we are a dirty backwards third world country and if one store in a shopping does bad and has to close that shit would be a new thing in like a week.

not even thinking about money stuff, how do you not have people to keep a space like that living? I mean I know why, but it never stops surprising me.

truly a fucking shit hole of a country up there huh

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angelevade:

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(via theunstablejester)

  • 3 hours ago > angelevade
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mkeanarchytect:

If you are thinking about it on paper, the bus running every half hour doesn’t sound so bad, until you’re waiting at the stop and you miss a bus or it’s delayed. Then you’re waiting a very, very long time. To people who never take transit, that’s probably fine. Why do you care. To people who only take transit, they’re expecting it, it’s baked in their lives. But the important part, what really impacts our cities, is what happens to people for whom transit is an option.

The spiral goes like this. You go to take the bus instead of driving, thinking “I’m going to o have a couple drinks” or “I don’t want to worry about parking where I’m going.” So you take bus. First bus is right on time. But then you transfer from your neighborhood line to the line that takes you where you actually want to go. And your bus is delayed. And it only comes every 30 minutes. And then you’re waiting, 40 minutes later, wondering where your bus is, knowing you could have driven there in 20 minutes.

Why would you ever chose to take a bus again? The bus made you waste precious time on your day off just sitting there. So next time you drive. Ridership goes down. When the transit authority asks for more money for more buses and more drivers, people point to the ridership numbers and say “why should we pay for this instead of paying for our schools/police/baseball stadium/parks/police again (let’s be real that’s who’s taking all the money)?” If we want to increase ridership we need to actually design and fund functional transit networks. If we want people to actually ride the bus we need to make it a better option than driving, which means reliable service, which you don’t get with a bus every 30 minutes.

Every 15 minutes, everywhere, all of the time.

(via crocodillyday)

    • #this post still kills me cause waiting 15 minutes for the bus is fucking unthinkable here
    • #unless its late or something
    • #if i have to wait 15 minutes for the bus i kill the driver when i get on what the fuck
  • 3 hours ago > mkeanarchytect
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p-paradoxa:

i’m still early into Dungeon Meshi but I enjoy how much it concerns itself with ecology. no part of the dungeon exists in a vacuum. adventurers are not just an outside force that loots and kills, although adventuring does in some way end up sustaining cycles of oppression (read: orcs). rather, adventuring itself is integrated into the ecosystem—each kill they deal, every death a party incurs, any waste they leave behind is taken into account as being something a component of the environment is adapted to, from the individual to population level.

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we even see adaptations that have evolved over short periods of time, as with senshi’s golems adapting to the nutrients used to farm on them

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another detail I enjoyed from off the top of my head was when senshi warned marcille not to use a spell that would damage a wide area of the lake, because the fish would die and the merfolk, krakens etc. would suffer in turn, despite a general interest in keeping the monsters at bay. this is narratively smart because it leads to more creative solutions, and also communicates a value of animal life without reverting to “isn’t it just fucked up to hunt things.” the focus of cooking and eating in the manga feels very intentional as a way for the characters to interact with this premise. unlike accumulating treasure, trying to earn fame and fortune, or hunting specific monsters (besides the one that swallowed a party member), eating is a necessity to life, which life itself factors in as part of its cycle. the party members became a part of the ecosystem the very first time they entered the dungeon, but by choosing to sustain themselves from it, come to a better understanding of it—this isn’t a value judgment or an appeal to nature, at least to me, it’s just an observation about how these systems work that the series is making, and something the author wants people to be mindful of

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a last point that really hammered it in is an explicit visual representation of the dungeon as an ecosystem—the flashback to the sprite project (analogous to real life insect cultures). the sprites thrive when the cultures mimic dungeon conditions. because that’s all a dungeon is: a self-sustaining ecosystem (as long as it has the resource of magic, as well as other life-giving resources), which is resilient and yet sensitive to change

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so far I think it does subvert most of the sensibilities of the dungeon fantasy subgenre in a meaningful way, which is to say it draws the emphasis somewhat away from battling and racking up kills in favor of environmentally conscious problem-solving and acknowledging the lives therein as being in interaction with each other

this is all surface-level praise as I’m only on like chapter 20 but I’m saying. I think you should read it. don’t just take my word for it though. check this out:

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oops that’s just a picture of marcille being a big big lesbian whoooops post cancwlled

(via elbiotipo)

  • 3 hours ago > p-paradoxa
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qalamoun:
“‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.
”
Zoom Info
qalamoun:
“‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.
”
Zoom Info
qalamoun:
“‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.
”
Zoom Info
qalamoun:
“‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.
”
Zoom Info
qalamoun:
“‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.
”
Zoom Info
qalamoun:
“‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.
”
Zoom Info
qalamoun:
“‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.
”
Zoom Info
qalamoun:
“‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.
”
Zoom Info
qalamoun:
“‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.
”
Zoom Info
qalamoun:
“‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.
”
Zoom Info

qalamoun:

‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.

(via hotvampireadjacent)

  • 4 hours ago > qalamoun
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osidius-el-enfatico:

Mordecai and Rigby stop drawing disco Elysium yaoi or yourE FIRED!!!!!

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I love your beautiful world

  • 4 hours ago > osidius-el-enfatico
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Mordecai and Rigby stop drawing disco Elysium yaoi or yourE FIRED!!!!!

  • 4 hours ago
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zohbugg:
“esoteric-merit:
“charlesoberonn:
“birdscreaming15:
“ actuallyjuststealingmemes:
“ fuocogo:
“ connard-cynique:
“ charlesoberonn:
“ wonder-meathead:
“ boyonetta:
“ charlesoberonn:
“ charlesoberonn:
“ This looks like a fucking parody post, or...
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zohbugg:

esoteric-merit:

charlesoberonn:

birdscreaming15:

actuallyjuststealingmemes:

fuocogo:

connard-cynique:

charlesoberonn:

wonder-meathead:

boyonetta:

charlesoberonn:

charlesoberonn:

This looks like a fucking parody post, or an edgy edit, but it’s 100% official real Flintstones.

Clarification: I don’t hate this book, I love it, it’s amazing. It’s just that taking a step back and looking it out of context is still really funny. Especially the line “We participated in a genocide, Barney.”

ok but imagine them in their cartoon forms saying this dialogue i’m

can we have some context to this, perhaps?

Bedrock is having a mayoral election. One of the candidates is a violent war mongering asshole that riles people up against the lizard people. This reminds Fred and Barney of their time in the army.

Back then the father of said violent candidate was riling people up against the “tree people”. Fred, Barney, and other soldiers fought what they believed to be a defensive measure against the tree people. Turns out, it was actually an invasion, in order to kill off the tree people and take over their forest to build Bedrock.

That’s what Fred means when he says he and Barney participated in a genocide. They literally did.

(Extra fun fact, Barney adopted a tree person baby after the war, and his son Bamm-Bamm is the last tree person.)

just fucking read it

http://readcomiconline.to/Comic/The-Flintstones

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There are a lot of interesting things about this post but the AK-47 shaped spear is what really got me

This is just as wild with the context

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Some of my favorite moments in the series

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From the foreword to 2021 print of the comic.

Interview with the writer Mark Russell and artist Steve Pugh (x)

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(via heinous-bitch)

    • #i love this book a lot
  • 5 hours ago > charlesoberonn
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